Brenda’s Talent:
Brenda loved art, especially watercolor. The fine lines, the
accidental flourishes, the creep of gradient across a shaded area, and the
dangerous tension of permanent mistakes. She tried her hand a couple of times,
but the pieces she produced were amateurish, brutish and often resulted in a
mockery of beauty rather than the elegance she intended.
For most of her life Brenda appreciated the mystery of
watercolor while remaining painfully separate from it.
This was true until one day when she was drawn into a little
shop resembling a gallery. Watercolors of birds were displayed outside with
vibrant and expressive poses. Brenda found herself within the shop, looking
through prints and original artwork in such variety she thought the owner must
at least share some of her aesthetic principals.
She picked 3 of her favorite prints and went to purchase
them. The store owner was a short and neglected man with cobwebs of gray around
his ears. His pants needed to be hemmed, his shoes were ancient, and his shirt needed
to be washed. From the edges of his collar, great tufts of gray hair rose out
like a forest or a hedge which separated his head from the round body
underneath. Likewise, around his wrists gray hair segmented his hands from his
arms.
He asked if she found everything alright, and Brenda started
to gush about the watercolors. She found herself rambling, and after a moment
the owner told her she could be an artist if she wanted. The idea was instantly
rejected, she had tried plenty of times with no success or enjoyment. The
process would always end the same way; with disappointment and malcontent. So
practiced was this reflex she spouted it off in small talk to the owner, “I
have tried, believe me, but I don’t have the talent, not like these, not like this. “
The owner chuckled a little and said he had felt the same
way for years, “I was once like you, but here you are telling me the artwork in
your hand is good. I made those watercolors. What is missing is your method,
your process. This may help you, it helped me when I was where you are now.”
He pulled a small book out from under the counter, flipped
through the pages, bending the spine a too far as he handed her a passage to
read. Brenda was curious and a little star struck; the watercolors were
beautiful, and she had wondered how a person can make such pieces.
The passage before her read as follows: To achieve any
greatness you must surrender to it and be willing to pay its cost.
The words had a vague sense of reason. They sounded like
words from a self-help book with questionable prose. How do you pay for it? How
can you negotiate with talent? For whom or what do you make the payment?
Brenda smirked, unsure if owner was serious. His small hands
of fur looked comically primitive next to the dirty book, which he felt held
some mantra of art magic. She laughed in her head, paid for her prints and
continued her day. Giving the words no real consideration at first.
Later in the evening she remembered the words, they crawled
into her awareness and presented her with ways the statement was true. How much
had she tried to paint? What would she be willing to pay for the ability to
create breathtaking lines of elegant contrast and color? Thinking about what she was willing to give up
was not something she had considered before.
She had tried something similar with religion, surrendering
to a higher power, yet it never paid off. It seemed to involve an exhausting
amount of mental concentration. There was no payment, no acknowledgment,
nothing but an irritating sense of being tricked.
When she went to sleep the words curled into hypothetical
smoke; wondering what she would be willing to give up for talent. With a
chuckle she thought she would pay a pound of her own flesh. Such an exchange
would let her eat with indulgence and be an artist of renown. Her imagination
spun out into all sorts of exaggerations as she drifted into the wash of night.
She dreamt of gallery shows in faraway and hard to pronounce
countries, meeting new and interesting people, and of course making a
connection with an eccentric billionaire who absolutely adored her work. How
free, how victorious she would be; to be mercifully unattached to the needs of
the morning clock. She dreamt of becoming thinner, sharper, more in control of
her emerging talent. She would be confident, articulate, and without a doubt
her watercolors would stir the coldest critic. Oh, to be an artist with their heart
open. What price could be too high?
Brenda woke the next morning with the moisture of fever
sweats on her face. Her back was drenched, and her pillow soaked. She felt fine
otherwise, perhaps even a little inspired by her dreams. Some of the fantasy
remained, it hung on her like clean clothes. As the day turned to evening
again, the glow compelled Brenda to think more on doing water colors. She
dragged out her old supplies, laid them out around her, and took a brief
inventory of colors. Some of the paints were unusable; their thin metal bodies reminded
Brenda of insects on their backs with their legs handcuffed in cobwebs. So, she
started painting a wasp.
The first line fell on the watercolor paper with a stroke
for the wing, then another for the front leg, both with little effort. Brenda
felt weightless, focused, drawn into the motion of each brush stroke, and application
of pressure. Her previous doubts were absent from the moment. Hours passed in harmony
and expression. Brenda thought of nothing else but the world of her wasp
painting. She finished it in once sitting, this time without turning the details
into resentment.
However, Brenda had been oblivious to exactly how many
hours. 13 hours had passed, yet it seemed a single breath to Brenda. She had
missed her work shift. She would have to call and try and explain herself, she
needed her job. After some food and rest she could sort it out. She was more enthralled
with her finished painting of a wasp. The colors were perfect, the angles exactly
what she wanted, and the beauty scaled down at a distance.
The subject of her painting impressed itself again into her
dreams as she drifted into unconsciousness. The wasp buzzed in thick iridescent
clouds of whirling swarms of other insects. Grasshoppers turned locust, moths,
bees, misquotes, flies, elongated gnats of various sizes all swayed together. They
reflected colors of likewise variety, neon colors of unseen frequencies, bright
warnings, and metallic dust from battered wings sprinkled like fairy dust on
her sleep.
The second morning was filled with the same fever sweats and
feelings of exhilaration. Again, Brenda dove into a painting and forgot about
calling her work, or if was scheduled for today or not. Another blur of time
passed with the same focus and intensity.
Brenda made a beetle for her second painting. It was
displayed with its wings fanned out from under beautiful metallic segments. She
felt weightless again, lost in 16 hours of inspiration. She was interrupted by
a visit from a concerned friend. Brenda explained herself a little, but only
halfheartedly, she was already thinking of her next painting. Her friend was worried but left after dinner. Brenda
promised to go to the doctor if the lapses of self-awareness happen again.
Brenda didn’t go to the doctor, she didn’t call anyone, she
wanted only to paint more. She continued uninterrupted for the next 2 weeks,
alternating between obsession and fever sweats. She grew thinner, each water
color piece consuming a part of her. She didn’t care, she didn’t want to stop
painting. Never had she felt so alive in her life, never had something had flattened
time into a blink.
When she wasn’t looking at the canvas, she was sleeping or eating
a small amount of leftover rice. She had managed to prepare some food, but only
with the smallest of effort, something productive to do in the down swing while
she gazed over the quality of the day’s work.
The work was exquisite, surely anyone could see the mastery
in her new creations. Brenda’s mania grew with each painting until 3 months had
passed. Her friends surprised her with a visit of intervention. They found
Brenda nearly skin and bones, having lost weight from submersion into the world
of watercolors.
They rushed to her the hospital, her lips were cracked and stiff.
She mumbled as they hooked her to saline. “I have so much more to make, let me
go, release me!” Brenda had paid her price, and she wanted to pay more, for she
had found something larger than herself.
Brenda died weighing 70lbs, having paid 1 pound for each
painting. She considered her 86 pieces to be perfect by every measure of her aesthetic.